- THETHERING GH5 TO DRAGONFRAME UPDATE
- THETHERING GH5 TO DRAGONFRAME MANUAL
- THETHERING GH5 TO DRAGONFRAME UPGRADE
- THETHERING GH5 TO DRAGONFRAME FULL
- THETHERING GH5 TO DRAGONFRAME SOFTWARE
Both have a die-cast magnesium alloy construction, weatherproofing and a 200,000 shot shutter life. Indeed, apart from the rear screen, the GH5 II and GH5 are essentially physically identical. The EVF isn’t the only thing that’s the same on both cameras.
THETHERING GH5 TO DRAGONFRAME UPDATE
A future firmware update will add RTP/RTSP wired IP streaming.
THETHERING GH5 TO DRAGONFRAME FULL
Where the GH5 could be connected to a PC for streaming the Panasonic’s LUMIX Tether software, the GH5 II brings brand new wireless live streaming in full HD at up to 60p, via the LUMIX Sync smartphone app – or by connecting it directly to a Wi-Fi router.
THETHERING GH5 TO DRAGONFRAME UPGRADE
Where the advances in video specs for the GH5 II are rather detailed and granular, it does bring a big upgrade for streaming fans – and this is a very rapidly growing area for broadcasters and content creators.
THETHERING GH5 TO DRAGONFRAME SOFTWARE
GH5: Tethered streaming via LUMIX Tether software for PCs.GH5 II: Wireless live streaming in FHD/60p via LUMIX Sync or direct connection to a Wi-Fi router.Panasonic says a future firmware update will bring RTP/RTSP wired IP streaming, a Live View Composite feature, USB tethering to 4G/5G smartphone with Compatible Streaming Distribution, and a more stable smartphone connection. The GH5 II also offers Panasonic’s V-Log L log mode pre-installed, which was a paid upgrade for the GH5, and also comes with two updated Cinelike D2 and Cinelike V2 gamma presets (V1 in the GH5), plus two new L.Monochrome S and L.Classic Neo color profiles. One is that as well as offering C4K/4K 4:2:2 10-bit up to 60p via HDMI to an external recorder, the GH5 II can simultaneously capture 4:2:0 10-bit video internally, which could be a real workflow benefit if you need shareable footage quickly. Other improvements, though, are easier to identify. The permutations of frame rates, bit depths and formats are practically endless, so it takes quite a bit of drilling down to find where the GH5 II improves on the GH5. See Best anamorphic lenses (opens in new tab).Speaking of Anamorphic, the GH5 II can capture Anamorphic 4K 4:2:0 10-bit at 50p (not available on the GH5). With the GH5 II you can now capture 4:2:0 10-bit 4K at up to 60p (only up to 30p on the GH5), and VFR (variable frame rate) modes from 2-60p have been added for C4K and Anamorphic modes. It can also shoot C4K 4:2:0 10-bit at 60p, an option not available on the GH5. This is the longest section because this is where the GH5 II’s improvements become quite complex.įirst, the GH5 II now supports C4K 4:2:2 10-bit at up to 30p, where the GH5 stopped at 24p. * The GH5 II does not push back those headline 4K 60p video specifications, but it does significantly extend the performance envelope for bit depths, frame rates and formats within that. The headline video specs look similar, but the GH5 II offers a wider range of frame rates and bit depths across multiple modes. That’s pretty formidable for a camera not specifically designed for sports or action. The GH5’s buffer capacity is already pretty good, at 60+ raw files or 600+ JPEGs, but the new GH II leaps ahead with 108+ raw files or 999+ JPEGs. But the buffer capacities are different – we assume this is connected to the faster processor in the GH5 II.
THETHERING GH5 TO DRAGONFRAME MANUAL
Both can shoot continuously at 12fps with single shot AF or manual focus, and up to 9fps with continuous autofocus.
GH5 II: 12fps AFS/MF, 9fps AFC, RAW/RAW+JPEG 108+ images, JPEG 999+ images.The GH5 II does add Head/Body/Animal AF to the Face/Eye detection offered with the GH5. Both cameras offer continuous AF at up to 9fps in continuous shooting. Panasonic has yet to adopt on-sensor phase detect AF in any of its mirrorless cameras. Panasonic has stuck with its 225-area DFD contrast based autofocus for the Lumix GH5 II, with a 480fps readout speed to offer AF speed as fast as 0.05sec. The second is the adoption of the latest algorithms in the Lumix S1H to provide smooth and stable filming while the camera is in motion. One is an increase in shake compensation from 5 stops in the GH5 right up to 6.5 stops. The Lumix GH5 II brings two improvements here. GH5 II: 5-axis 6.5 stop IBIS, latest Lumix S1H movement algorithm.The GH5 II's IBIS system is now rated at 6.5 stops, up from 5 stops on the GH5.
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